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[Brandon looks, for all intents and purposes, bored as hell.]
You know what this place really needs?
[Bit of a pause. Purely for dramatic effect, you understand. He is an actor.]
Twitter.
And if you have to ask me what that is, you're seriously dead to me. Like. Don't even try.
You know what this place really needs?
[Bit of a pause. Purely for dramatic effect, you understand. He is an actor.]
Twitter.
And if you have to ask me what that is, you're seriously dead to me. Like. Don't even try.
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Only some. I've written op-eds before. I'm just skeptical of the text-byte format.
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[he is unfamiliar with the ways of your newspaper slang, Lois.]
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It's short for 'opposite the editorial page.' A lot of people get it wrong and think it means 'opinion-editorial.' Editorials are usually unsigned pieces from members of a paper's board of editors. On the page opposite are signed pieces by authors who aren't on the editorial board, and expressing opinions of their own.
That's where the term came from, anyway. It's a little different these days.
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Plus, news stories are supposed to be impartial. They're not--anyone who tells you otherwise is lying--but they're supposed to be. Journalists have opinions too. Sometimes we take a little time out to share them.
It's all part of our duty to inform the public, really.
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[Except 'journalist' is one step away from 'tabloid writer'.]
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It is. But you know people. Most of them don't have much sense of nobility. Some of us still try, for whatever reason.
[Beat.] To uphold journalistic ethics, I mean. [She's not about to claim nobility in anything else.]
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[Tough guy attitude all up in here.]
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Or sheer stubbornness. Someone has to, or the other guys have won.
[The army brat still lurks.]
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A little more prosaic than that. 'The other guys' are pretty much some combination of anyone who thinks the truth is unimportant, anyone who would rather see their ideas rather than facts printed, and anyone incessantly stupid.
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I am so far from one I cannot even begin to say. What I am is someone who takes pride in her work. That much I won't compromise on.
[Except that one time.]
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[He is the rudest little shit, Lois. Feel free to smack him.]
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And not until you've won a Pulitzer for them. Once you have, then we'll talk.
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I gotta ask, though: what part of your self-righteous anger at other people has anything to do with my professionalism?
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You aren't being professional. You're bragging. There's a difference.
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If you hadn't questioned my professionalism, you wouldn't have gotten my CV.
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[He hates that. More than anything, he hates pity.]
Yeah? And? Nowhere in there did you manage to convince me you wouldn't sell out for a story.
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[Especially not now.]
Luckily your sophomoric pretensions of cynicism have convinced me not to care. I know I won't. You can think whatever you damn well want.
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[SLOW CLAP.]
Breaking out the real ten cent words now. Guess that means I hit a sore spot.
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[And she just went from angry to downright furious.]
Just because I'd like to introduce my fist to your face doesn't mean I have any intention of wasting the time, much less the bones I'd probably break on your incredibly thick skull.
Also, I am exerting no pressure for or against a story, nor am I doing so on the clock. Between them, this has nothing to do with compromising myself for a story.
Groundless ad hominem is utterly clichéd for juvenile attacks. Get new material.
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Whatever, babe. I'm out. This got boring real fast.
[A mocking little salute, and then he disconnects.]