![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
III. But I don't like scenes, except on the stage.
[In which Lord Henry treats the text feature as if it were a telegram service.]
[Text, private to Dorian Gray]
[This message is sent after two days' discreet waiting after Toby's arrival. Henry is not blind and definitely noticed Dorian's reaction, but (wisely, probably) did not interfere, and has allowed time to pass before approaching Dorian—and has also been studiously avoiding Toby. He has no idea whether his friend will answer, but even if he doesn't, that will tell him much of what he needs to know.]
Are you well? I do not wish to intrude, of course, but I could not help but notice a certain amount of recent excitement.
[Text, private to Alcuin nó Delaunay]
I hope this finds you well—would you be available to dine or for a drink sometime soon? I should like to hear of your progress with our yellow book.
[Open action nice choice and not so nice, post-trainwreck choice]
[ETA: Disturbing conversations about murder and possible eventual bad behaviour within.]
no subject
no subject
Cynicism is what's left when the wallpaper peels.]
Perhaps, but discretion is an exhausting chore. One we all must deal with to some extent, of course, but one of the benefits of being French truly is not being English, when it comes to the idea of discretion. Your culture lacks the joie de vivre that we hold so dear. Well, the better of us, the more wretched and less regal....
[He puts out the cigarette, or what's left of it, against the wall and lets it drop before he continues, leaning his head back against the wall with wine bottle teetering against his lips.]
But you never answered me when I asked what gave me away. Don't tell me you were simply being reckless.
no subject
It is not in me to be reckless except when to be so is the least necessary. It was no one thing; rather an accretion of details. I might have been on my way after giving you a cigarette but, perhaps, for the way you took pleasure in it, or the way you spoke of influence. [He extinguishes the remains of his own cigarette.] Romanticism has its charms, my dear fellow, but when it has left one with the taste of dust in one's mouth, the only remedy of the elixir of cynicism, and more than anything else, that is what I seek.
[It's as close as Henry will ever get to admitting to how wounded the conversation with Dorian left him, and he's admitting it to Grantaire, a stranger, here in an alley. It is indeed as close to raw as Henry has ever gotten, though even now he guards himself with his epigrams and aphorisms. He needs to keep these about him, if nothing else.]
no subject
He can't help but scoff though, pouring back more wine and resting shoulders back against wall, and then his eye contact returns, sloppy and bare.]
Romantics are only cynics who've yet to have their idealistic bubble of hope popped. They preach of God and sublime human emotion but don't realize that Newton was right, and that everything that goes up only comes down harder. The taste of dust that you're so familiar with is called disappointment of that wretched Human Condition.
[He smirks to himself, as if there's something more to it, some idea swirling in his head, and with another sip he continues with less roundabout poetics, more slurred forward monologue.]
As for the elixir of cynicism, you're looking at it, I am the Dionysus of cynicism and I've yet to make up my mind on you.
no subject
[And a snatch of poetry comes to him, courtesy of the Dionysus comment—]
II en est, aux lueurs des résines croulantes,
Qui dans le creux muet des vieux antres païens
T'appellent au secours de leurs fièvres hurlantes,
Ô Bacchus, endormeur des remords anciens!
no subject
You do not.
[But then again there's poetry, more poignant than the last, and Grantaire listens, bringing bottle to lips.]
Your poet forgets that some of us drink in order to get into a fever to begin with. Santé. [He can toast to that, drinking again.]
no subject
Oh, M. Baudelaire understands the uses of drink quite well—Pour ne pas sentir l'horrible fardeau du Temps qui brise vos épaules et vous penche vers la terre, il faut vous enivrer sans trêve. Mais de quoi? De vin, de poésie ou de vertu, à votre guise. Mais enivrez-vous.
[Thus filling out more of the passage that he quoted earlier.]
no subject
[And Grantaire leans languid against the wall, taking another sip of his drink. It may be this answer that tips the scale, that has Grantaire decide what he thinks of this pompous, decadent Englishman for no regard for his own personal safety.]
no subject
It is one of mankind's finest inventions, next to the cigarette. The cigarette is the finest of evanescent pleasures; drink makes a guest of itself in body and soul and like all guests, often overstays its welcome, but one always invites it back. It is a chain that binds and the key to the chains. It is, like all sensation, an anodyne for the soul. Nothing can cure the soul but the senses, and nothing can cure the senses but the soul.
[That is one of the few maxims of his own that he is happy to repeat, because he actually believes it.]
no subject
[He's smiling, a silent mocking laugh despite the honesty of his words. He is impressed, should Henry truly be using his own words and not those of someone else. The farce still remains though, that of two decadents, one old and one new, having a pissing contest.]
You're wrong though, so incredibly wrong, because a cigarette is a craving, a delicious taste akin to the finest fruit or chocolate, but wine. Wine dulls the senses and numbs you to the pains of living like no cigarette ever could. Give me death before I choose a cigarette over a good, hard drink.
no subject
A thought sprung fully-formed from my brow as Minerva, my dear fellow. For my own part, I admit a preference for the cigarette, but perhaps de gustibus non disputandum est, as the saying goes.
no subject
He's silent for a moment, glancing at Henry again, meeting eyes as he takes a sip from his dwindling bottle, flesh lips to glass lips. He says nothing, only nods to himself and smirks. He glances up at the sky, as if something up there could make up his mind towards whatever it is he happens to be mulling in his mulled brain. Another nod, and he pushes himself off of the wall and downs the rest of the bottle without a second though. It's then abandoned on the ground and he stretches.]
Alors, it's been interesting. Try not to get the tar beaten out of you with that wandering worm of yours.
[He doesn't even wait for a response as he walks backwards, grin on his lips, a wink, and a salute against his forehead, then turns on his heels with a sway in his step and a hum on his lips.]
no subject
I am touched by your concern, dear fellow. Are you quite sure you won't have another cigarette before you go?
no subject
Not if you're going to offer, non, but if you follow I might just change my mind, eh? I am happily capricious in that way.
[His wink is sloppy, over the top with a click of his tongue to go with it, before he twirls back on his heels again and carries on. Not, though, without a stumble.]
no subject
Capriciousness is one of the few qualities on which one may rely these days.
[And in a few easy strides he's at Grantaire's side, in time to catch his arm and steady him on a stumble. There's a still, tense moment then, as he regards the younger man's face.
And then without warning, possibly surprising even himself, he pulls Grantaire toward him and kisses him roughly on the mouth.]
no subject
A fuck-all attitude is a fuck-all attitude but social norms continue to be, well, norms.
He doesn't push Henry away, though a voice in the back of his mind that sounds unsurprisingly like Bahorel is telling him to give the Englishman a firm whack on the jaw, not does he kiss back. He simply waits, and when Henry pulls away Grantaire's hint of a smile is patronizing. A hand shoots up, hesitating right before contact (a mockery, really, a teasing play on a slap that won't happen) and then resting on the other man's face. A pat. Patronizing.]
Christ in heaven you are going to get yourself killed one of these days, or your teeth knocked out which is probably worse. I'll pass, Henri, go home and think about what you've done like a good boy.
[His eyes unfocus, he wobbles, he steps back to carry on.]
no subject
Bonsoir then, M. Grantaire.
no subject