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004 ◉ audio; dated to the 14th
[ The audio clicks on and there's a long pause. When Kyle speaks, his tone is calm, perfectly controlled. It's his Business Voice, blank save for the barest hint of anger. ]
This is Kyle Rayner of the Green Lantern Corps. I apologise for the inconvenience, but our clinic at EA-3B is currently undergoing repairs and won't be able to take more patients at this time. We'll be temporarily operating a backup at WA-1A. [ He attaches a map, showing where it is. ]
Any and all hands with medical experience or healing abilities are always welcome.
[ Another long pause. ]
And if someone could come collect Avatar Korra, that would be appreciated.
[ There is a brief pause, as though he's debating what more to say, before the audio clicks off. ]
This is Kyle Rayner of the Green Lantern Corps. I apologise for the inconvenience, but our clinic at EA-3B is currently undergoing repairs and won't be able to take more patients at this time. We'll be temporarily operating a backup at WA-1A. [ He attaches a map, showing where it is. ]
Any and all hands with medical experience or healing abilities are always welcome.
[ Another long pause. ]
And if someone could come collect Avatar Korra, that would be appreciated.
[ There is a brief pause, as though he's debating what more to say, before the audio clicks off. ]
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[He fiddles a little with the fork on the table, turns it over and slides his hand back down.]
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[And it means something different to you.]
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Well, yeah. So does puce.
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What did I just say?
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Amen.
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I'm not religious. Get called a god enough times and it leaves a bad taste. This is for my mother.
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And then he's done and he pushes the plate away.]
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[It's an idle observation, as he plants both elbows on the table and gives Kyle a wry look.]
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I can't do this.
[Please understand I just want you to understand why can't you see what's right in front of you.]
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It's why he keeps trying, but it's also why he sometimes wants to walk away.
Jim wipes his mouth with a napkin, drops the napkin on his cleaned plate. There are so many things he wants to ask, he wants to go at this from all angles and work it until it's fixed, he's a problem solver at heart. I told you how I beat the Kobayashi-Maru, right?
But he doesn't. He just nods tiredly. Compromise.]
Sure. Let's get you back to your clinic.
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[He gets up, and on impulse, squeezes Jim's hand, and kisses him on the side of the mouth. He doesn't care that this is completely public, outside the pool place was, too. It's not like it means anything other than thank you for being here, anyway.]
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So Jim drops the payment down on the table and gets up so he can gently bump Kyle's shoulder.]
Wild horses couldn't drag me away, Angel.
[After everything, he's still trying. But Kyle needs his space, and Jim... is learning. Even when it costs him.]
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[He's a little more at ease, but he is still quiet, thinking.]
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I'm gonna hold you to that whole 'paint' thing later.
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Looking forward to it.
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[He tries not to think about the look in Sora's eyes as she'd tried to calm him down, knowing that she'd seen the deep, dark, real anger that came from his people being in danger, that he always felt guilty for feeling. Any slip up, and well. He could snap, and he knew he wasn't terribly stable here, without Guy.]
[But he needed the Corps - he needed his family - he missed them so much it was eating him up and so while Jim's out walking or something (god why was he so stubborn), Kyle simply clears the room, lies down, and lets his mind recreate Oa, and the Corps. He forces the constructs into colour, even if it makes his hands shake, and as they fly around, pass him, he reaches out, trying to touch them, hold them near, to keep them safe.]
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He notices the constructs straight away, except he mistakes them for real and damn near draws his phaser before he realizes their source. Kyle.
It's Kyle, and he doesn't speak Jim's language, so Jim dumps the bag he's got onto the couch, and he goes to sit beside him, wordless. Soundless, or as near as he can with the cast. It's a little like being back in that cell, trying to sleep so it wasn't one more torture they could inflict, fingers pressed against the inside of Kyle's wrists so he could feel his pulse as he drifted off. Jim's almost ashamed of the intimacy, captains weren't supposed to show weakness or fear, but he swallows down the memories and sits, quietly. After a moment, he frowns (what was it Kyle said about blizzards?) and reaches out, to put a hand against his shoulder.
The silence costs him. Damn, does it cost him. But it's an exchange of currencies he can live with now.]
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[He ignores it. He's in his world, and Jim-- can be a part of it if he likes, or he can go. Kyle can guess what his answer is going to be. Jim won't leave him out of sheer spite, if it comes down to that. No matter what.]
[He breathes, brushing his fingers against the passing constructs, some of whom are smiling at him, or reaching back. He can hear their voices if he concentrates, and he doesn't fill in their words, but Jim-- talks too much and Jim maybe needs something from Kyle. Speaking is going to cost a lot. But he does, anyway.]
Hey.
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Hey yourself.
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